Stephen Dwoskin Movies

Trixi is Dwoskin’s most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous...

Shot in Brixton, London, in 2004, the film is originally a letter addressed to Dwoskin by its authors. It creates a unique space, movement and rhythm...

The film is just this kind wandering through the personal ways and whys of different kinds of pain in different kinds of people. The film searches...

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to...

A summer in Beechdale Road. A meditation on the passage of time, the time in between things and the time spent together - and apart. The film was...

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes...

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based...

An old man remembers the troubled relationship he had with his mother, the erotic games, and the phantasms in which she managed to attract him. The...

Short experimental film by Stephen Dwoskin.

“My grandfather was a charming artist, and he would have acted if he had had an audience. In this film, taken from family images, it is a...

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were...

In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the...

The film questions the possible viewing positions with the girl; in other words, who and what is looking at whom? and is the girl alone or with...

Intoxicated by My Illness (in which images photographed by several people are extensively superimposed) loosely and dreamily tracks a phase in...

Lost dreams is made out of those little remnants of images, from a single glance to a detailed moment, of those women from youth’s love and...

A film about a man, an invisible man, perhaps immobile or displaced, trapped in solitude filling the intervals of reflection and desire. He resides...

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...